Johannes Wohnseifer, artist,
born 1967 in Cologne, Germany
Johannes Wohnseifer lives and works in Cologne and Erfstadt.
Instead of studying art, from 1992 to 1997 Wohnseifer
immersed himself in the business of being an artist while
working for the German artist Martin Kippenberger.
Wohnseifer plays with the cultural transformation of classic
landmarks of media, architecture, art and design. The
exhibited
objects show ‹ bookshelves › which are put together
with 9 elements exactly matching in size, material and form
the elements of the famous Berlin chair by Gerrit Rietveld.
The De Stijl designer Rietveld designed this sheet metal chair
in 1923 for an exhibition in Berlin and offered it as a royalty-
free assembly kit. The original Rietveld chair was black,
white and grey. Wohnseifer uses these colours in different
variations or paints the shelves in monochrome yellow or
white or red—colours taken from the standardized RA L
palette which the artist uses in many of his works. The artist
also plays with the idea of object ‹ recycling ›, a widespread
practice in non industrial countries in which discarded
materials
with almost no obvious value are transformed into
practical or humorous products. He titles his transformed
objects with street names pertaining to the African quarter
in Berlin: Wedding, Sambesistraße, Ugandastraße, etc. Those
names stand for an uncritical appropriation of a very questionable
part of German colonial history as represented
within the Berlin streetscape. Wohnseifer’s work has been
shown internationally in many exhibitions and collections
including the Hara Museum of Contemporary Art in Tokyo, Projektraum, Museum Ludwig in Cologne, Bonner Kunstverein,
Sprengel Museum in Hannover, Ludwig Forum Aachen,
Aachen and Ulm Kunstverein, Kunsthalle in Vienna, Städtisches
Museum Abteiberg in Mönchengladbach.
Johannes Wohnseifer, Apple I-Mac, 2004.
Acrylic, aluminium casting.
Courtesy of JOHANN KÖNIG Berlin.
Johannes Wohnseifer, Kameruner Strasse, 2009.
Wood, lacquer.
Courtesy of JOHANN KÖNIG Berlin.
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