Tatiana Trouvé, artist,
born 1968 in Cosenza, Italy
Tatiana Trouvé lives and works in Paris and became known for her room constructions, architectonic interventions and snake-like metal sculptural objects that are seemingly solidified in their movements as if frozen. In her artwork Tatiana Trouvé often explores the association between the ‹ inner › and the ‹ outer › on both material and psychological levels. Psychological spaces are turned outwards and become concrete, uncanny ‹ inner › spaces. Tatiana Trouvé moved in the mid 1990s—via Senegal, the Netherlands and the South of France—to Paris, intending to find work and make art. The labour involved in establishing herself as a professional artist— the countless odd jobs, accumulated bursary requests, correspondence with galleries, ideas for unrealized works— led her to pose the thorny questions: What does a lack of visible productivity mean for an artist’s identity? What suffices in order to call oneself an artist? Her response materialized itself in the physical construction of a fictional « office, a storage-hold of her life … »* Awarded the prestigious Prix Ricard (2001) and Prix Marcel Duchamp (2007), Trouvé has participated in numerous exhibitions all over the world, including the Manifeta 7 in Italy (2008) and solo exhibitions in the Centre Georges Pompidou in Paris (2008) and in FRAC Lorraine (2008). Her work defines what the artist herself articulates as ‹ ways of world-making and ways of being in the world.›
* Vivian Rehberg: Something from nothing, decorated offices, reclaimed land, hope and anticipation, frieze magazine, Issue 115, London 2008.
Tatiana Trouvé, When I first came to town, 2005.
Metal, imitation leather, piercing rings with bells.
Courtesy of Bergen Kunsthallt; JOHANN KÖNIG, Berlin.
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